fbpx

Emotional Eating— A Different Perspective

There are many different ways to conceptualize the process of emotional eating. I’m not going to do a full review of all of those. Rather, I will offer an alternative perspective that hopefully points to a unique way to address this issue.

Let’s first reflect on behavior. Emotional eating is a behavior. It’s observable, because someone could see you do it. But the behavior itself, emotional eating, in and of itself tells us nothing about its purpose/function for you. This means, two people might do that same behavior—emotional eating—but for each person the behavior has a different function. It might serve as a way to avoid something (like emotions or situations). It could be a kind of rebellion. It could be a way to numb out or self soothe. To further complicate this, if you emotionally eat, in different contexts and situations and in response to different triggers, your emotional eating might serve different purposes! Same behavior, different function. I also want to point out that emotional eating can be driven by physiology as well such as because you eat hyper-processed junk food high in sugar and refined carbs; because you aren’t getting sufficient sleep; and any number of other physiological drivers of appetite and eating behavior. I’m not going to focus on those other elements right now, but shout out to my Whole Health Card Deck which has 50 practices to support wellness & wellbeing!

So, we’ve established that one behavior—emotional eating— can serve a different purpose for different people or even for one person in different contexts. Now I want to dive into a process that can help you untangle the process of emotional eating and start to consider the underlying motivations for each step of the process. This largely involves a conceptualization of inner parts of self. Look at each step of the emotional eating process and consider those behaviors, if this were a story or movie, as carried out by a different character. There isn’t one ‘you’ emotionally eating; there are different characters involved each with different and at times conflicting motivations for the micro-behaviors that comprise what you experience as emotional eating. Call these characters whatever you’d like.

As in any story, something happens. In the context of emotional eating, that’s called a trigger. A trigger is anything that prompts the emotional eating process for you. It might be a situation, a person, a comment, a physical sensation, a feeling, a place. Think back to the last time you ate emotionally: what prompted you to do that? Maybe it was a thought; what set that thought into motion? What happened?

Now consider what part of you was triggered— our first ‘character’. Perhaps this is a vulnerable part of you. Or an angry part. A part that fears being abandoned, not good enough, rejected. A part that is impulsive or feels it can ‘never get enough’ of what it wants or needs. A part that struggles to tolerate discomfort and/or is undisciplined. This character is struggling! Now, there are many healthy ways to respond to this character. Emotional eating is the current way. But what part of your does that, and why?

Consider that another character steps in— a kind of ‘inner critic’. This critic might take on the voice of people from your own life, the media, society, or religion. Inner critics can be harsh. What form does your inner critic take? Chances are, this inner critic does not make you feel good, soothed, accepted, or any positive emotion. To recap: something happened; a part of you was triggered and is in pain; the inner critic steps in and makes things worse. We need a character to step in and rescue that vulnerable part!

There is another part of you that steps in to help out that vulnerable part, and it is using emotional eating to do so. Maybe the function is to numb; avoid; distract; or soothe. It might feel hopeless, and emotional eating is a form of surrender.

And what do you do after you eat emotionally? Do you vow to start another diet? Do you cast out whatever food you tend to emotionally eat? Guess what, this is another part, another character— a controlling character. Think about it: When you ‘decide’ to follow a strict program or eliminate a certain food, how does that make you feel? Probably more in control and empowered, at least in the short term. This controlling part is a kind of idealization of how you’d like to be— in control— because if you are in control things aren’t uncertain and you won’t be vulnerable or rejected. It can give the illusion of acceptance—by others, by other inner parts— and compensate for deeper, more challenging feelings of anxiety and uncertainty. This character is in stark contrast to the first vulnerable character we explored— the part that was triggered.

The dynamics, motivations, and objectives of these characters and how they interact can be complex and complicated— and they are all internal and specific to you. What’s missing here is a wise character, a part that can step in and offer compassion, tolerate the ambiguity of life, and can experience both joy and discomfort, and help you choose a different way of responding to your emotional eating triggers. If you struggle with emotional eating, it can be helpful to explore what this character looks like, how you can embody them, what they say, and what they do…especially towards that vulnerable part when it shows up.

What this process is essentially doing is conceptualizing your inner experience into a kind of drama, complete with different ‘characters’ and roles, each with their own motivations.

Depths of Improv

I’ve been studying improv for…awhile. Improv was a huge factor in my decision to enroll in a drama therapy master’s program. Improv has inadvertently become a big part of my life. Through my drama therapy education and passion for psychology and creative expression, I’ve given a lot of thought to how improv can facilitate and support our own personal growth. At its core the processes inherent to improv facilitate creative and divergent thinking, for many reasons. Improv is embodied cognition, which is a field unto itself. In virtually every improv class I have taken, we are instructed to be engaged in some activity or action while on stage. From a psychodynamic perspective, it’s possible ‘doing something’ distracts the egoic mind allowing greater access to the unconscious. From an embodied cognition perspective, we don’t think with our individual minds alone: our bodies are involved in thought processes. So there’s this element of improv— the mind/body embodied cognitive aspect.

There’s also our personal process as an improviser. It can be similar to ‘as above so below’, to use an alchemical sentiment— your process on the stage mirrors your process in your real life. This can especially highlight a judgmental and critical mind. For example, if you tend to feel judgmental of your improv, does this reflect a tendency you have to judge and criticize yourself in other areas of your life? What’s your process for stepping off the stage, after the show, receiving notes/criticism? Improv provides a practice for us to look at deeper rhythms, patterns, and currents in our lives off stage. For example, practicing more effective ways to respond to the inner critic after an improv scene may translate to a different way of relating to that same voice when it pops up in other life domains.

And there’s the characters we inhabit on the stage. Not only does embodying different characters allow us to explore different perspectives and points of view, it also gives us space to explore different parts of ourselves. As Tom Blank writes in his book on improv, “an improvisor may play different characters, but each is that improvisor. We say we are playing a character, but it is more accurate to say we are playing a part of ourselves.” (p. 235). Blank further goes on to note his observation that we tend to have a dominant personality which he refers to as “the habit”. In improv we can notice which types of characters and perspectives we prefer, as well as practice other ways of being that are perhaps less natural for us to fully inhabit. Blank writes, “when the habit relaxes and we explore new characters, we reveal more of ourselves” (p. 239) and goes on to refer to a “wild beast” within. To me, Blank’s conceptualizations of the habit, the wild beast, and their dynamic harkens back to an ego/unconscious dynamic where ‘the habit’ is the ego and the ‘wild beast’ is the unconscious. I think masks can be revealing and when we are given the ability to hide behind ‘a character’ we can more easily explore aspects of ourselves that are generally hidden such as more shadowy aspects.

The improv classes I’ve taken haven’t centered too much on some of these more depth-oriented elements inherent to improv (and there are so many others such as mindfulness!). A depth-oriented approach would be more focused on processes within the individual and the group both on stage and off, as witness/audience, as improvisor, and in one’s regular life, and in using principles of improv as tools for personal growth and development.

Emotion Regulation With the Whole Health Card Deck

Emotion Regulation refers to the process of effectively responding to emotional experiences in a given context. I note the importance of context because there may be times when expressing emotions at a Level 5 intensity is appropriate. The intention is not to remain at Level 1 constantly. Rather, consider a goal of developing a greater awareness of what you are experiencing, choosing how you respond to your emotional experience given the situation, and expanding your capacity to be with challenging emotional experiences without engaging in unhealthy behaviors. Examples of unhealthy behaviors include impulsively lashing out at others, which can damage relationships; overeating or binge eating; avoidance; procrastinating; isolating; toxic positivity.

To be able to regulate effectively, you first need to identify where you’re at in terms of your emotional reactivity. To do this, deconstruct your emotional experience for each of 5 levels. You can do this in advance so you’ll have a plan you can use next time you’re activated. “Emotions” are different from “feelings”. Emotions are an entire system. For the purposes of this activity, deconstruct your emotional experience into the components of which it is comprised: thoughts (or memories or mental images); feelings (like sad, angry, happy); physical sensations; and urges to do or not do something (avoidance is an urge to NOT DO).

Next, use the Whole Health Card Deck to identify a few practices you can engage in at each level. At a Level 1, which is when you are relatively chill and calm, you might be motivated to engage in practices from the deck that are more challenging for you but that can support emotion regulation in the longer term like the cards Reframing Obstacles, Spirituality, or Self Soothing Kit. For Levels 3 and 4, consider practices that can keep your emotions from escalating. For Level 5, identify practices that can work immediately like Stress Relief, using the Self Soothing Kit you previously created when you were less emotionally activated, or Dive Reflex. Keep a few cards with you so they are easily accessibly next time you are caught up in emotional overwhelm!

Whole Health Card Deck is available on Etsy and Amazon

Emotional Eating Cycles

This is for people who want to lose weight but struggle to stick with diet changes and end up overeating, emotionally eating, binge eating…or whatever other term fits for the experience of feeling out of control around food while also trying to lose weight.

This image is a pretty typical pattern; do you recognize your own process reflected here?

You start out wanting to lose weight. 

You find a ‘diet’ or way of eating that requires you to change some aspect of your current eating patterns. I didn’t put an arrow here but want to note this as a possible intervention point. There is nothing wrong with changing your eating patterns to be more healthful. For some people, this requires eliminating or cutting back on ultra processed foods, added sugar, and refined carbs. It means imposing some structure on when you eat. Please make sure whatever eating plan you choose is sound and based on solid science and evidence. There are many eating programs based on pseudo-science! This is a possible intervention point to ensure you are following principles of sound nutrition. Generally this will require cutting back on carbs, especially processed ones.

Feeling deprived and hungry on your new eating program is an intervention point. Feeling deprived in particular is largely based on your personal beliefs about food and eating. Do you believe you should be able to eat whatever you want, whenever you want it? Do you believe it is unfair to have to put in work and effort to managing your eating? Are you truly hungry (in which case, evaluate whether your chosen diet is nutritionally sound) bored, or experiencing strong emotions? Is eating a way you cope with stress? Do you have emotional associations to the foods you eat? Does eating help you avoid something you don’t want to do, face, or experience? Remember, to lose weight may require you to eat differently than you currently do and possibly develop different ways to respond to your eating cues. Working with your mindset can help you effectively respond to feelings of perceived deprivation, find satiation through nourishing food and eating patterns, and develop healthy self care practices that nourish you— body, mind, & soul.

BINGE EATING AND OVEREATING are behavioral CHOICES that you MAKE in response to feeling deprived and hungry. You may feel deprived at times. You may feel hungry at times. The goal is to CHANGE HOW YOU RESPOND to these experiences. 

Sometimes overeating or emotionally eating makes you feel better in the short term, but that’s often followed by negative feelings and/or physical sensations such as bloating. You may also have distressing thoughts about how you ate, your weight, etc. These experiences are understandably uncomfortable!

So, you AVOID. Sometimes this looks like containing to overeat. Maybe you vow to start over on a very strict diet. Whatever this looks like for you, consider it as a way to avoid dealing with the uncomfortable fact and reality that you binged or overate or broke your diet or whatever. Rigid or strict attempts at dieting can often function to avoid the distress of the binge and/or help you regain a sense of control. 

…but eventually the cycle continues. 

What can you do to break the cycle? Fortunately, there are MANY things! Here are 10:

  1. Change the focus from trying to lose weight to improving your health. This shift can impact the foods you choose to eat and how much of them you eat. Do you think it is healthy to overload your body with food it doesn’t need or to eat refined junk food?
  2. Choose sound eating plans that focus on real whole food. Ideally get your nutrition information from reputable sources. Try an eating program for a period of time to see if it’s a good fit for you, like a week or 2, or a month. Treat it like an experiment.
  3. Work to change how you relate to your mind and thoughts around food, eating, and what it means to be deprived.
  4. Explore your emotional associations to food and eating & recognize when you have fallen under their spell.
  5. Practice being with cravings and urges to overeat without doing anything about them— without trying to get rid of them or figure them out.
  6. Identify other practices and activities you can engage in when you experience cravings or urges to overeat. Check out my Whole Health card deck for ideas!
  7. Practice embodiment and develop a respectful attitude towards your body.
  8. Make sure you are getting enough good quality sleep.
  9. Be active in ways you enjoy.
  10. Reduce stress and actively engage in self care practices.

Card Play Practice: Weekly Guide Card

Deck: Cosmic Creatures

This is a basic practice to get started with Card Play. Decks with figures or entities (people, characters, goddesses, mythological beings, fairies, unicorns, animals, dragons, etc) work best. This is a weekly practice to choose a card to represent a kind of ‘guide’ for the upcoming week. Below I will describe steps you can take, but feel free to modify and make this your own unique practice.

  1. Take a moment to close your eyes or softly gaze down and imagine your upcoming week: the challenges, events, and situations you anticipate as well as your broader overall life context. Think about what you could use support with.
  2. Choose a card by either: a. Shuffling and randomly choosing a card or b. Specifically looking through the deck and choosing a card you feel drawn to. 
  3. Reflect on your interpretations and meanings of the card. If you like, read the card’s meaning in an accompanying guidebook (if available) and/or research elements of the card using a symbols or a dream dictionary. Synthesize and integrate with your own meanings. This is ultimately a creative and personal process.
  4. Place this card somewhere you will see it during the week.
  5. Optional: during the week further explore this card using additional Card Play techniques (such as ‘Supportive Presence’) which I will describe in future blog posts.
  6. Optional: When you choose a new card for another week, develop a ritual of expressing gratitude for/thanking the entity on the card for its guidance and support and ‘release’ it back into the deck.

Working With Images in Card Play: Symbols, Associations, ‘Randomness’

Deck: Enchanted Forest Tarot

When working with images in Card Play, the intent is to explore the deeper dynamics being portrayed rather than the literal interpretation. What that means is, a picture of a woman and a house is not just a picture of a woman and a house. How does the woman relate to the house? What does a house symbolize to you? How does the depiction of a house in the image relate to your idea of a home? What are your associations to women and homes? Maybe a house represents boundaries, or safety, or any number of concepts or memories. If the house in the image is destroyed in some way, how does that reflect boundaries and safety? Maybe it’s a picture about curiosity. Go beneath the surface of the image and look for the deeper, underlying dynamics. Notice if there are power differentials. Think symbolically and associate.

Pay attention to what images evoke in you. Notice what emotions arise when you see an image. Be curious, especially if you feel an aversion to a particular card. This may actually be the card for you to explore!

Pay attention to the feelings expressed in the image. You may note a subtle sense of fear or panic, joy or warmth conveyed in an image. If these reflect experiences you have in your life, that image may be worth exploring.

Some reference books I use with Card Play

Symbols and Associations

Symbols

Look for the symbolic meaning in the images. Symbols can represent complex ideas or concepts. How would you visually convey ‘forgiveness’? You would need to represent it somehow, communicating it largely without words. How I envision forgiveness in a given situation may be different than you. If we were both working with forgiveness, we might choose different image cards.

Language is inherently symbolic. I can write a sentence about a beautiful magic apple. But there is no apple here; I merely represented the idea of it with the word ‘apple’. Image cards represent abstract concepts through visual symbols. This is what I mean when I encourage you to think symbolically. Your ex-partner will not be explicitly represented in the image (unless you are using photographs) but they can be represented symbolically in various ways. For example, the relationship dynamic you two had might be evident in an image.

Associations

Disneyland. 

What came up for you when you read that word? A memory? An eyeroll? Thoughts about money? Thoughts about a vacation in general? 

That’s your process of association. You and I likely have different associations when we see the word ‘Disneyland’ which, again, is a symbol for a place and, really, an entire experience. We can symbolize an entire experience along with hopes and dreams in one word: Disneyland. It’s just a string of letters but that combination represents something to many people.

Both images and words in card play function in the same way: they evoke personal associations. You have those associations based on your life experiences. A Talmudic idea about dream analysis I’ve seen attributed to the writer Anais Nin is that “we don’t see things as they are, we see them as we are” (Amien, 2017). How we see things reflects who we are back to us, if we are willing to look.

Sometimes associations are helpful and sometimes they are not helpful. Maybe they once were useful for you but now they hold you back. Being mindful of your associations can help you break the spell of those that do not serve you.

Randomness

An optional way to consider the ‘randomness’ of choosing cards is that of synchronicity. The concept of synchronicity was introduced by the very famous psychologist Carl Jung. It is a spiritual idea describing unrelated events that are meaningfully connected. In the context of Card Play, this means the cards you draw seemingly randomly are not random at all. The cards you draw at the time you draw them are the correct cards for you in that moment. There is an element of meaning in what seems to be a random process.

Let’s step back and think about this. Do we live in a random and chaotic universe? While systems move towards entropy (if we did not clean our homes they would rapidly devolve into a mess of mud and clutter) there is an overall elegance and order to the universe. Although I am not a physicist, quantum entanglement (which has been dismissed by Albery Einstein as ‘spooky action at a distance’) posits that “if you observe a particle in one place, another particle—even one light-years away—will instantly change its properties, as if the two are connected by a mysterious communication channel” (Popkin, 2018).

You are welcome to integrate this concept of synchronicity into how you derive meaning from the seeming randomness of card selection if it resonates with you.

References

Amien, D. (2017, Aug. 4). â€˜We do not see things as they are’. The New York Times. https://www.nytimes.com/2017/08/04/crosswords/daily-puzzle-2017-08-05.html

Popkin, G. (2018, April 25). Einstein’s ‘spooky action at a distance spotted in objects almost big enough to see. Science. https://www.science.org/content/article/einstein-s-spooky-action-distance-spotted-objects-almost-big-enough-see

Card Play Props

Some examples of different types of props that can be used in Card Play.

The central prop used in Card Play are decks of cards with evocative visual imagery. There are many, many, many different card decks available. I will describe the types of decks and props most suitable for Card Play. The most important element of a Card Play deck is the imagery. 

Tarot Cards

Tarot cards are perhaps what most people think of when they think of an image-based deck of cards. While the typical intended use of tarot cards is as a divination system unto itself, they function differently in Card Play. The focus is on the imagery of the card and what it elicits in you. A benefit of using tarot cards is most tarot decks come with a guide book that describes the meanings of the cards. The cards generally reflect some aspect of the human experience, each card a kind of facet of a larger crystal. You can use these ‘meanings’ as ‘points of view’, almost like from another person or part of yourself, to explicitly focus on a certain aspect of your situation or experience. However, before you explore the meanings of your cards using a guide book or other resource, first explore your personal associations and meanings to the imagery of the tarot card. 

Tarot cards in Card Play can be used represent characters or entities, since many tarot decks often portray figures like people or animals.

There are many tarot decks available in a variety of themes.

Oracle Decks

Oracle decks are similar to tarot cards. Oracle cards often have concepts written on them, in addition to imagery. In Card Play, sometimes you can use the oracle card as a Concept Card (described below). When you are choosing an oracle card to work with in Card Play, you may be choosing it partly because of the image and partly because of the concept words on it. For this reason, at times you may prefer to work with oracle cards as opposed to purely image-based cards.

Some oracle decks are centered on entities such as fictional beings or creatures (real and fantastical). These can be useful when exploring characters, inner roles, and parts of self in Card Play.

Archetypes or Symbols Decks

Decks that focus on archetypes are useful when exploring characters, parts of self, and inner roles. Although they may have images on them, the archetype, character, or role portrayed is the most salient aspect in terms of Card Play. These can function as Character Concepts, described below.

Affirmation Decks

These can be useful additions to Card Play to help explore different and supportive perspectives. These can function as helpful and supportive thoughts or perspectives you may want to incorporate into your daily life.

Emotion Decks

These can be helpful to assist deepening understanding of emotional experiences explored in Card Play.

Instead of or in addition to emotion cards, a ‘feelings wheel’ or a feelings list can help you identify subtleties among emotional experiences. Here is a free helpful list from the Hofmann Institute

Image-Only Decks

Imagery used in card play should be evocative. Unlike tarot and oracle cards, image-only cards rely solely on your interpretations and associations, making them a potent element in Card Play. There are decks available to purchase. However, you can also make your own using photographs and other images. You can be creative in terms of how you obtain your image decks. This process of seeking cards from different sources supports developing a creative skill of seeing different ways to use an object. When you see something visual, consider whether or not it will be useful for you in Card Play. Other ideas: postcards, greeting cards, games…any large collection of evocative images in card form.

Psychotherapy Decks

Often written by mental health professionals, these present specific skills from psychotherapy modalities. These can be used to help determine what to do in a given situation explored through Card Play. These can inspire practices for daily life.

Intention Decks

Similar to Affirmation Decks, these are often small cards and consist of a single word, typically evocative. Use these as Concept Cards due to the evocative nature of the words.

Self Care Decks

Similar to psychotherapy decks but not necessarily written by a mental health professional. Nevertheless, these can often point to concrete actions that can be taken to support overall wellbeing.

Question Decks

Some decks have lots of introspective questions. Answers can be explored using Card Play processes. As described above, Card Play facilitates exploration from a variety of perspectives.

Concept Cards

Concept Cards aren’t random words. They are evocative. There are various decks available, such as for creating stories or poems, that can function as Concept Cards. You can create your own using paint chips from hardware stores. Paint chips can be helpful when coming up with titles for your Card Play. I’ve created four sets of different Concept Cards useful in Card Play, putting careful thought and intention in choosing the words. Concept Cards are primarily words. 

Character Concepts: a collection of characters and roles useful in exploring internal roles and parts of self. Often in Card Play these are externalized as characters. Often archetypal.

Location Concepts: A collection of various settings intended to augment and deepen exploration. Can function as metaphors.

Healing Concepts: A collection of various objects that symbolize strengths and resources. Function symbolically and as metaphors.

Concepts Cards: A fundamental Concept Card is added to an image card to direct a new meaning or interpretation.

Props That Are Not Cards

I mention the below items to encourage outside the box thinking when approaching Card Play. In a sense, Card Play creates an ephemeral collage.

Word Tiles 

I have a large container of ‘word tiles’ I purchased at Target. Although not evocative in and of itself, I might pull a tile and associate it to something else. These are not nearly as useful as Concept Cards but they can function as props and therefore are an option.

Similar to word tiles are word beads, which I have purchased at Michael’s craft store. With words like, ‘wish’ and ‘dream’ these are slightly more evocative than the tiles.

Story Prompt Flip Book

I bough this at a teacher’s supply store. It has creative prompts for stories. This or something similar can be used as prompts for Card Tricks.

Story Cubes

Symbolic in nature, these can function like Concept Cards to add an idea/concept in Card Play or present some kind of strength or helping factor to a character. The idea is for you to free associate with the symbol; what does it mean to you in the context of your current Card Play process?

There are also cubes with words on them that can function as Concept Cards.

Bag of Tricks

I created this after learning of a similar idea in one of my classes in graduate school. Essentially, I curated a collection of small symbolic objects. Like Concept Cards, these represent concepts, ideas, people, or strengths/resources.

Introduction to Card Play— A Creative Process Using the Power of Story, Symbol, Imagery, & Metaphor to Support Personal Growth & Wellness

I became fascinated with the myriad creative uses of various types of card decks during my graduate drama therapy program. Cards with imagery on them (like tarot and oracle cards) can be especially potent tools to explore the dynamics of who you are and the wide array of options available in any given moment. Imagery cards can be combined with other types of decks and props to augment self exploration in processes that can ultimately be distilled into action.

Working with image cards to explore the depths of one’s human experience facilitates appreciation for the truth behind that common saying, ‘a picture is worth a thousand words’. Art has a potent power to unleash emotion. We look at art and we feel something: admiration, awe, fear, uncertainty, disgust. Art can reflect our greatest accomplishments and strengths or the darkest shadows we’d rather not acknowledge. We can see our story mirrored in someone else’s. Art can unveil truths. These can be inspiring, inconvenient, ugly, profound, motivating, encouraging, frightening. They can be catalysts for change, a compass, a call to action. 

Card Play uses visual prompts, typically in the form of imagery cards, to help you explore the nuances and complexities of your life. Bring your hopes and dreams, your worries and fears, your thoughts and questions, to the cards. Unlike a divination process like tarot and oracle, the process of Card Play is intended to assist you in discovering your own path and your own truth. While there are many processes embedded in Card Play, two prominent ones are improvisation and collage.

If you have ever seen an improv show, you will know that the performers frequently ask for suggestions from the audience. The performers, though many are brilliant and well-trained, use prompts from an external source (the audience). They use these prompts to trigger associations, memories, and related ideas. The props in Card Play function similarly. The cards, words, images, and objects are all intended to help you associate your own meanings and connect the dots in ways that are relevant to you.

The other key creative element is collage. A collage integrates bits and pieces from different sources, ultimately creating something wholly unique. Similarly, I include multiple types of card decks as well as objects in Card Play. We can draw on and integrate inspiration from a variety of sources. 

I created, wrote, and produced this deck of 50 practices intended to support wellness & wellbeing. It's now available for purchase on Etsy and Amazon!

This will close in 20 seconds